I just finished the new Lorenz Hart biography A Ship Without A Sail, and, for the first time, I have some sympathy for Richard Rodgers, who in most accounts of Hart's death and estate megillah is usually portrayed as the villain. This is really a dual biography of a partnership - without going into detals about Rodgers' life, his drinking problems or philandering - in which one partner expends his energies in moving his career forward to more success while the other uses the same energy in a downward spiral of alcoholism and self-destruction.