I remember when I began producing theater music on CD in 1993 - there was virtually almost nothing coming out from anyone - not from the majors, not from the minors, and almost nothing from singers themselves. Within two years, after seeing what we were doing and watching our sales, virtually everyone, majors and minors, were back into it and, as they always do, not only back into it but trying to BEAT everyone in terms of volume. And then every singer got into it, doing their own releases or releases through smaller labels. It was really interesting to watch. And then after we created a really interesting business model with my former label, and that model was really successful, two labels sprouted up using the exact same model. And the more the merrier say I.