I finally finished STAR! today. I found the transfer to be stunning. Yes, the powers that be have tinted the entire transfer in a light brown wash (only some of the scenes on the laserdisc were done this way) which I suppose is intended to put the stamp of a past era of show business on the entire film (to give it a rotogravure quality, I guess). I'd rather they not have done that, but the fact remains that the picture is still sharper than it's ever been on home video (the laser looked slightly out of focus and smeared in comparison) with colors very, very deeply saturated and some shots so beautifully composed and colorful that it took my breath away. My two favorite shots due to composition and clarity: a medium shot of the beginning of the terrace scene in PRIVATE LIVES with Julie and Daniel on opposite sides of the screen and the full stage of "The Saga of Jenny" once the lights come up before Julie launches into the song proper. Astonishing detail in those shots and throughout. (I could see the brocade pattern on her French Revolution gown in the Roman party scene for the first time.)
And the sound! The Overture's surround sound is simply thrilling, and at a late point in "Jenny" when the chorus takes over, I thought my speakers were going into overload. I've never heard the score sounding so rich and full. Despite not have a dedicated subwoofer channel for the Dolby Digital surround mix, the bass is VERY powerful throughout the orchestrations. The sound of the laserdisc is tinny compared to the sound here.
I also watched the first 2/3 of CALL ME MADAM. The film isn't quite as sharp as I was hoping, but the Technicolor is very bright and colorful. It was MADAM's success that convinced Fox that Merman could be a major film star and led to her casting in THERE'S NO BUSINESS LIKE SHOW BUSINESS, but she's just not very photogenic, and the camera really doesn't catch her effervescent personality. I am SO happy to have this film on DVD, but it wasn't quite what I was hoping for. (My memory of it was much kinder than the reality of it.)