Good morning, all! Another busy day between prescription trips, music deliveries, a trip to the accountant, and some office time. A change in office schedule forced me to cancel a lunch date with my friends at the Cole Porter Trust, so we'll hopefully do it on Monday.
I think the Mario Frangoulis work is finished for the nonce, to prepare everything I've done for the Dec 11 rehearsal, and now I've got a chart for Judy Kaye to work on. First, however, I've got the Men's Chorus holiday work to finish, and that's going to take most of the weekend and part of next week.
TOD: I agree with DRCharlesPogue about Rozsa; he's the best, and we're long overdue a complete recording of the THIEF OF BAGDAD score on CD. One of my favorite scores is his TIME AFTER TIME: I still remember the elation and relief I felt in 1979 at the end of the film when Mary Steenburgen told Malcolm McDowell as H.G. Wells that he wasn't returning to the past without her. The movie was romantic and I loved the screenplay, but I believe the score by Rozsa was the romantic undercurrent.