Yes, indeed. Congratulations have already been offered to DR Jose for his possible LESTAT job, but now that it's a fact, I am SO very happy for him.
DR Jose, how long do these contracts run? Run of the play? 6 months? One year? Is there a trial period? Curious minds want to know.
Well, once I'm there, I'm there. Unless I do something to royally mess this up - which I won't! - the position is mine for as long as I want for the run of the show. People have been known to stay for a long time. Heck, some of the folks in
A Chorus Line played the whole run - with some breaks in there - but, still, the whole run. And
Phantom of the Opera has had the same concert masters and first celli since they opened too. Job security. -And, you get most of your days free!
Practically speaking, assuming the show is a total success and/or runs at least a year, it will be nice having something that stable for that amount of time. I do like being on the road, but there is something to be said about having one major source of income for more than 12 weeks at a time.
I'm still working it all out in my head, but if I find myself very happy with the show, I would like to stay for at least a year. Put some money away, pay off my debts, etc. *Union scale is currently very nice, livable. And live in NYC!
It is a union position, so there will be some vacation time built into the contract, but, I have to say, I hate subbing out unless I really have to - being sick, etc. I just really like playing. Although, who knows? Maybe I'll end up like a lot of keyboard players in town who end doing multiple projects at once, and take some time off regulary. -Remember a few months ago when I mentioned that the Broadway pit of
Mamma Mia! currently has at least 5 people covering each keyboard part?
In the long run (of the show), if a tour ends up happening, I would love to go out with it. Two words: per diem.
But since I'm in one of the keyboard slots, there is also the possibility that I could be rolled up to one of the assistant conductor slots.
We shall just see where things go, lead, take me.
Right now, I'm just so very happy, and feeling very fortunate that this came my way, and that it fits in perfectly with my current obligations/contracts. And it is, when it comes down to it, my dream job - to be playing in the pit of a Broadway show. Not to conduct a Broadway show, just to be playing in it, being a part of the "noise". I'm always happiest when I'm at the keyboard, and I can definitely see myself being very happy during
Lestat. And, hopefully, for a good year, if not longer.